Thursday, October 30, 2014

Scores took the chief conductor of the group Marián Vach, famous detailed analysis of the model and

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Thirty-year history of opera Zámockých games Zvolen is long, varied and often distressing chapter of the pioneering efforts of a tiny handful of people (the father of the idea of Banska Bystrica was then director ccs university of theater and opera today's chief of ZHZ Jaroslav Bliss, our interview with him can be found here, respectively. Here) introduced into Slovak opera life until then unknown element. ccs university Summer opera festival under the open sky. It had neighbors on all sides, Slovakia, however, was absent. Gradually intention to alter the fact that the "neopernom" began in opera drama diversify component of the festival, adding an international dimension to him. Concepts change, once successful, sometimes less, and in other less than a decade docked in the preferred model. Combining unconventional dramaturgy, bazírujúcej the Slovak Prime Minister lesser known works in concert version, with performances in spevacka attractive cast, the ZHZ gradually established themselves at home and slowly and foreign festivals map. First title this year was Fedora by Umberto Giordano. For the first time, this important work of the Italian verism got the Slovak stage, extending preview of the composer, known mainly through more popular Andrea Chenier. Fedora, brought to life in 1898 in Milan, went through stages of admiration, ccs university ignorance and re-enter the theater posters. It is interesting that the interest in the work of going through certain ccs university waves. After 1990 there was a boom of its marketing, now again fell into decay phase. This does not change the fact that the time for her first Slovak entry was filled and staging State Opera in Banská Bystrica (Zvolen where the premiere will be your home) must be in terms of dramaturgy fully accepted. It is a work which has its strengths and problematic musical places, however conventional plot plot seasoned detective and political ingredients. Variety story and underline ccs university its three Venues - first act takes place in St. Petersburg, the second and final in Paris in the Savoy Alps.
Leading Czech director Michael Tarant received ccs university this season from the Slovak theaters to two invitations. After košickej Jenufa had the opportunity to exercise his clean-cut aesthetic Bystrica, also in Fedora. Together ccs university with set designer Tomáš Moravec and costume designer Klara Vágnerová tried on the most spectacular zdivadelnenie story, to create an environment of stage illusion first, illustrative elements but also contrasts in colors and lighting. Given the playing time in the open air theater, first scene illumination was limited daylight, but after dark they fully express the following art ambitions. Taranto manuscript is realistic (as in verizme no harm), trying to reshape every situation visually. As a crucial opponent scenic minimalism stage thickens, zadymuje, obtancuje so boring ccs university for him not rule. Quite the contrary. Not afraid to intensify the bloody scenes (Vladimir dying), but did not use the premises offstage, whether to move spies the castle balcony, or the march of prisoners between the orchestra and auditorium. ccs university Manifest is a director working with actors, emotions, and belonging to a given style pathos. A political topic was marked over the story, but it was the whole evening feel.
Scores took the chief conductor of the group Marián Vach, famous detailed analysis of the model and highlighting the essential ccs university features. Fedora is pretty much conversational sections, but also the fervor charged arias and dvojspevov. Not to mention the impressive intermezzo. Orchester It finds staging party must focus on untangling the motif codes for the color setting and sensitively accompanied soloists. Vach has the following basic postulates veristic style in his little finger and musicians under his hand playing with an apparent taste.
The premiere cast of protagonists low quality, which the Italian vocal aesthetics is close. Cristina Baggio (Fedora) government mladodramatickým soprano who, while not plentiful extraordinary color, but knows when to be polite ccs university phrases when the situation requires veristic expression is able to insert it. For Miroslav Dvorsky Loris is a new figure, which is able to capitalize on its long experience in the Italian field. He sang in good shape, his voice was impressive darker color, height (niel

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