Imagine in the shadow of the Cathedral, pulled your head above trying to understand the architectural precision that has gone into the design of the structure, considered layouts of each window, with the working meticulous drew human faces and figures from the cold Smooth stone, the mathematical wonder hidden in the shapes and design, physics rules applied in the construction of tools for handling and transport, the span of time putting the severed stone from the last one. The ambition, the suffering, the dedication, fce the greed, the vision of all persons who have left their stamp on this monument. Imagine fce the curiosity tegħlbek as slowly start moving towards fce the entrance to take a view of the same structure from the inside. The solemn voices of the choir heard echoed by high walls and the smell of incense dizzy identifies as marble interior. Inzertajt Mass sung and sudden jistejqru feel your senses all at once. God only knows how ssaportejt Mass sung in religious habits tfulitek effort t your mother and father. Everything familiar to last. The building, the clothing, the anthems, the smells. But not today. Today everything felt new. Coincides fce think the attraction is feeling knows knowledge is nothing other than the child grew and finally reached now can abandon himself to this ritual clearly cynicism of an adult who knows what is and what is not. So curse the moment you start approaching fce the homily, the priest fce interrupts while the show so many words premeditated throwing spiritual anchors. Rarely fce lead anchors to the bottom. Homilies stretched hindering the balance of sacred ċerminonji, receptions often hardly satisfy the senses but the soul jrejqu. So imagine x'sorpriża when the intervention of the priest follows a short, simple and genuine, so genuine and able to transform ceremony pompuża long celebration of beauty diżarmanti.
The Tree Of Life I have been on a week that saw and sincerely hard to get his reviews. More than film is an experience, therefore I can only try to do I put in the words miserably sensations qanqalli while've been to see it. Nissottolinea word viewed as the last work of Malick is almost exclusively visual feast - and collided good cinema is first and above all it is worth giving his life to the visual fantażiji. Therefore I am somewhat perplexed by some critics to compare his recent work with masturbazzjoni. More and more inħokk my head upon reading accusations claim towards film at the end, despite its length, despite the extra lyrics to take, remains fce essentially sempliċissimu fce and addresses universal themes that even flea able to relate to them. It is a great tragedy that some audiences ready jissottoponu barbariku themselves to any act or decay (fictitious) under the assumption that they serve to underline the moral degradation and ambiguities that characterize the man. Ok there. We live up there masokist whose cynicism that an increasing in step with the accumulation of information. There are still credible. Because fce knowledge of the mechanisms'ħażen and weaknesses Karnali never seems like enough (post post modern artistic terms) to preserve ourselves and prepare for the next step - the eternal conviction or -fidwa. Then comes some naive like Terrence Malick, reġista four-pence, that with all his ardir chooses own concerning itself with frivolous fce matters such redemption, the spiritual renaissance and the role of humans within cycle -ħajja and - wait sarkażmu battuti discounted and easy - worth għexha life really, of who 'tasted the bitterness fce that the world can offer. It knows what it's like crawling on your belly, geddumek in mud. Who knows and DERA so strong that all remaining refuse to occasionally emerging to the heavens.
All this is not to say that Tree Of Life is a masterpiece fce or is perfect. But nor is it too far. The photography fce and editing to which this film are something amazing. That Malick has an impeccable eye for nature and rural environments is an indisputable fact since his film debut through the Badlands. At Tree of Life seems to meet the core of his infatwazzjoni virtually jippreżentalna nature as a mystique that reflects the progress of man from early childhood until his death. Tgħiduli: thereby? Even neo-hippies overstate indoors didgeridoo in the vicinity of Fra Ben drew this analogy. And here I emphasize the genuineness and credibility which Malick jippreżentalna his impressions pwerili pontifikazzjoni distinguish his work from some four inkallati lazy to think that the world is aware something. Malick never ignore nature ambitious, competitive fce and destructive of man and creation in general. fce Nothing at all. Rather binds together with the natural process
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